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Be respectful, keep it civil and stay on topic. Thread Status: Not open for further replies. Some sound will appear forward of the speakers' locations. The first 11 songs on each disc are different versions of the original album — one mono, one stereo. A mono amp only supports amplification of a single channel. I would add a note about radio: Stereo FM radio broadcast of ‘album oriented rock’ came in in the US in the late 60s, and became over time the most popular type of radio (FM was more popular than AM by 1978). Take Radiohead's "Amnesiac"; the sound isn't merely strung out in a flat line between the left and right channels, there's spatial depth, and even an illusion of height. This forth album is a little more anonymous. If there is a click on only one channel I can take the majority of the signal of the opposite channel to paste-over.. with a gazillion varieties… it really helps on MONO recordings where there is no stereo signal to be damaged… only a mono mix to be preserved… stereo recordings are much harder to restore when there are so many other variables to deal with: phase, timing, stereo pan, etc. OTIS REDDING. The true Mono mix is exceptional. Thread Starter Post #1 of 12 daniel0407 100+ Head-Fier. The trouble with playing stereo records over AM radio was that when the left and right channels were folded down to mono, the stuff in both channels (the vocals for example) became too loud. The stereo LP mix of his “Alvin’s Harmonica” contains a completely different harmonica riff than the mono 45, though nobody but me seems to be wacko enough to notice. A great stereo recording listened to over a decent pair of speakers or headphones has an almost physical, three-dimensional presence. Take Piper At The Gates of Dawn, for example. Very minor corner ding as seen in pic T his is an undisputed jazz classic which every jazz lover should have, and this is the format in which it sounds best – in mono, with no distracting alternative takes. So if you sit, for example, on the left side of your couch and you're 6 feet (1.8 meters) from the left speaker, but 9 feet (2.7 meters) from the right speaker, the stereo imaging will be completely out of whack. 1 AVAIL. If done well. I think I was being too conservative. Mono tracks will output the same audio from both speakers. This often happens with jazz reissues as well. Excuse me? Stereo listening is not as straightforward as any old marketing may have you believe.. to be in the true ‘hot seat’ of a stereo mix is lovely but you have to make your own effort to be there – to be a part of it.. just being in the same room doesn’t qualify. Understand that there’s ambiguity here, and the “STEREO” label on an album cover is sometimes a misnomer. "The First & Last Word on Otis Blue. Stereo Playback. Playback systems that make use of two speakers are referred to as stereo systems. Over the past few Record Store Days Sony/Legacy has slowly been rolling out on 180g vinyl much of the Miles Davis catalog, mastered from original analog tapes. Share This Post 1 AVAIL. Pepper’s Lonely Hearts Club Band as an example of mono versus stereo, because both mixes were done well (though the mono mix received much more attention from the band). To decide which version is best suited for your collection, you’ll need to research how a record was originally recorded, mixed, and released. Collectors in the 1950s and 1960s had to know whether their setups could play mono, stereo, or both. Does it even matter? ALL RIGHTS RESERVED. Here are some other pointers to help if you’re struggling. If you were a casual consumer of music and wanted to play an album at home, it was vinyl or practically nothing else. in MONO (no shrink) VG+ COND . Though for the end consumer, it’s often a matter of preference. Stereo can be "delicate": unless you sit in the middle, equidistant from the left and right speakers, you won't hear stereo as the mixers mixed it. Misc.-Category Forums. 5 things to consider as you decide whether stereo or mono is best for podcasting. The first semi-pro tape decks available in two channel came out in 1953 and, RCA had stereo tape on sale -to the public- by 1955 (though, dominated almost exclusively then by a Classical catalog and: at prices ranging from $9.95 – $18.95, at the time!). With a really decent set of open-back, over-the-ear headphones the sound shouldn't be stuck inside your skull; music should sound like it's coming from just outside your head, from all around you. Infamously, the stereo version of the song has erratic panning from left to right, which some claim the band would have never approved. The Audiophiliac ponders the stereo-versus-mono question. They are not the same. 4.8 out of 5 stars 5,887 ratings. Feb 3, 2014 at 12:11 PM. And yes, for some of the early stereo recordings, where the engineer smacked one of the horns in the left speaker and the other in the right, it's better to hear everyone in the center. Stereo as a consumer audio format dates back to the late 1950s with the introduction of the stereo LP, but monophonic LPs didn't fade all that quickly. Otis Blue/Otis Redding Sings Soul (Rhino Records) has 40 tracks spread over two CDs. Numbered 2LP black (1 stereo, 1 mono) 180 gm + 7" blue … Kind of Blue -Mono & Stereo Versions Miles Davis Format: Vinyl. @spacecaptain That is certainly true with regards to LPs, but dedicated mono mixes were being done even into the late ’70s for 7″ releases (singles). Sure, a few folks buy pairs of BT and other wireless speakers, but most BT fans make do with one speaker. 100+ Head-Fier. OTIS REDDING/THE SOUL ALBUM VOLT 413 (-66) US MONO For my undying love of the debute "Pain In My Heart" check earlier post. Stereo Records vs. Mono Records If you're a record collector and you collect albums made between 1957 and 1970 or so, you're likely to encounter something that compact disc buyers have never had to deal with – copies of an album in either mono or stereo. Artist: Otis Redding. Listen to some of the stereo remix aberrations released either through legitimate or otherwise “international” versions by the likes of Trojan, Island etc throughout the 1970’s. Maybe this is due to stereo grooves (which must carry more info in the same space) being more delicate and susceptible to audio degradation. Vocal in one channel, instruments in the other, totally killing the impact of the recording, and compare with the original Ja. See all 124 formats and editions Hide other formats and editions. If you are recording two mono instruments and you know ahead of time you want one hard-panned to the Left of the Stereo Image and the other hard panned to the Right. Veel nummers zijn bij mij bekend in de uitvoering van andere artiesten; dus een stukje herkenbaarheid zal er zeker zijn. ‘. Stereo reproduction requires two channels, so a single stereo amp could be used or two mono amps. Nearly 10 years later, in 1957, another major change was slowly making its way into record shops. Larry lauded the mono version’s “better intent,” “focused energy,” and “strength” in sound. Recalling our history lesson above, creating both mixes was often out of consumer necessity – with the equipment at the time, many collectors could only purchase one version or the other. With true stereo recordings, two mics will capture a more realistic sounding audio, like the instrument is there in the room. The UK began phasing it out that year as well, but most of their mixes are still dedicated (and often essential). The weirdest example I own is “Voices In Motion” by Simon Rady (on Epic,) which pretty much sounds like a 24-voice mixed chorus chasing each other around an oval track on roller skates. Again, history can guide your decision. My job as an audio restorer is actually helped by stereo… even in mono. The stereo version is.. well.. it’s ‘gimmicky’ and simply doesn’t answer any questions the music sets. There is a stereo … However, unlike the almost immediate shift from 78s to LPs, sales of stereophonic records would not overtake monophonic for more than a decade. Otis Blue: Mono vs Stereo The album was set up to record in Stereo, as part of Stax’s relationship with Atlantic record, but Stax owner Jim Stewart was still a fan of Mono and got permission to also record “ Otis Blue” in Mono. Stereo Audio Files. Mono gives it a much more authentic feeling, but as for quality, stereo is what I have always gone too. The cheat is to bridge the left and right channels electronically into one, which is what a mono/stereo switch in an amp does. Listen to Ole Man Trouble - Remastered Mono Mix of Stereo from Otis Redding's Otis Blue: Otis Redding Sings Soul [Collector's Edition] for free, and see the artwork, lyrics and similar artists. LAST 1 STEREO… Before the retro fixation nowadays turned records into an (overpriced) “boutique”/niche item, NOBODY ever thought they were sonic technological marvels vs. what the audiophile of the ’50s/’60s *could’ve* had as an alternative -on tape- at greater expense. But the reissue is in Stereo… For roughly a … Plus Live Otis Blue Tracks from '66 & ' 67" Both CDs are held in a gatefold cardboard digipak which in turn is held in a firm plastic sleeve stating "Collector's Edition". Mono sound is preferred in radiotelephone communications, telephone networks, and radio stations dedicated to talk shows and conversations, public address system, hearing aids. Stereo Records vs. Mono Records If you're a record collector and you collect albums made between 1957 and 1970 or so, you're likely to encounter something that compact disc buyers have never had to deal with – copies of an album in either mono or stereo. “Anything released before 1959 was recorded at a time when stereo was not yet commercially available” This statement from the article is untrue within the classical genre. Stereo mixing had grown so much by late 1968 that the few mono mixes that were still being made were so close to the stereo balances, it’s hard to tell if they’re dedicated or not (with a few notable exceptions). And if you’re into the sound or history of it, I encourage you to add that non-approved version to your collection. Back in the day, there was a big difference in the pocketbook between a $4.98 Mono album or a $5.98 Stereo one. They claim in the 1960s few UK Beatles fans owned stereo systems, so the Beatles focused most of their attention on mono mixes. After this though, the band could walk out of the studio and engineers would mix a release for the other output. At that point, all nine mono vinyl titles will have been released. There’s a reason for this gradual change. It is to point out that a collector who has to deal with a limited budget can usually get a more pleasing experience from a roughly handled (hence FAR less expensive) mono recording than from a similar graded stereo LP. There was never a danger TO THE EQUIPMENT of playing a stereo record on a mono setup. First, hardly anyone was doing dedicated mono mixes in the US by 1968, plenty of mono titles from that year are actually folded-down from the stereo masters. This is a stereo record, to play with a stereo cartridge only. At theh end of the day all you can really so is experiment with the equipment you have and hope that it works in the situation you’ve put it it in! The British original came in mono only but a stereo mix, originally made Sept.1966 for the US issue, was released in UK mid-1969. You can find some of his thoughts on the enduring benefits of mono in Tape Op Magazine, along with other deep takes from inside the recording industry. One is “Gypsies, Tramps and Thieves” by Cher; the stereo LP mix includes a jangling “Gypsy” acoustic guitar riff on one channel that was mixed out of the mono 45. Please bear in mind I’m really just thinking about rock and soul, not jazz. If you have a "mono" button on your receiver or amplifier, try playing your favorite music first in stereo and then mono over speakers, and here's what you'll hear: In mono the sound constricts, space and depth shrink, dynamic contrasts suffer and the treble may dull. Welcome to the Deep Groove Mono collector’s guide to mono and stereo releases for the Blue Note record label. I’m sure one of the more tech-savvy folks here at Discogs can expound on this phenomenon in greater detail. Is one better than the other? A good way to picture this is to imagine an orchestra being recorded with stereo microphones placed in different places in a performance hall. I’ve never seen a stereo 45 of either…, The early days of stereo were big on gimmicky mixing; RCA Victor’s “Stereo Action” series being a high point in something or other. I am a lifelong audio Nerd and proud of it. I just wanted to clear up a few things about their closing pointers. A stereo amp may internally contain two independent mono amps in one chassis (sometimes called a "dual mono" design), but in most cases they also share a common power supply. Retailers hated the "double inventory" requirements of carrying stereo and mono LPs of the same album, so monos quietly faded away. Otis Blue: Otis Redding Sings Soul [Collector's Edition] ... filled with members of the Mar-Keys and the Memphis Horns-- it's a blessing to hear them both unified in mono and isolated in stereo. Bought the stereo copy and asked for a stereo player that year for Christmas. To those interested in history, this is perhaps one of the most exciting eras in vinyl records. some songs sounds better in mono – some sounds better in stereo. And, as a personal taste, I prefer orchestral recordings— Porgy , Sketches , and Miles Ahead , all done with Gil Evans—spread out. VOLT S-412 U.S. 1965 PRESSING. Interesting you should say mono isn’t dead, people are no longer that bothered about Hi-Fi stereo anymore since streaming took over. (Virgin’s Frontline label was exemplary in sticking with this.). Enhanced stereo is a mono signal with echo and /or EQ applied to make left and right sound different from each other. Forums. 5 things to consider as you decide whether stereo or mono is best for podcasting. Pepper's" is the Holy Grail! Écoutez des chansons intégrales de I've Been Loving You Too Long (Remastered Mono Mix of Stereo) de Otis Redding sur votre téléphone, ordinateur et système audio personnel avec Napster. Or so I’m told. I don't know how the Virtual: X from DTS works (if it's upscaled from a "standard" DTS signal, or requires a native DTS:X signal). OTIS REDDING. VOLT S-412 U.S. 1965 PRESSING. If you’re looking for further guidance, I recommend checking out the Steve Hoffman Music forums. Today, any setup should be able to play both mono and stereo records – so don’t buy one or the other based on your listening equipment. There’s also a technique called “reprocessing for stereo.” An engineer could take a mono recording – hopefully off the master tape – and set up two equalizers to split audio into left and right speakers. Otis Blue/Otis Redding Sings Soul (often referred to simply as Otis Blue) is the third studio album by American soul singer Otis Redding.It was first released on September 15, 1965, by Volt Records.. We knew the potential was there that at some time we would own stereo equipment but for most of us, all we had at the time was a mono player. Am I making sense? The first disc is augmented by six alternate versions, including three mono mixes of the original stereo album versions of the songs. I’m a musician, not an engineer, but it seems to me that any damage to the grooves in a vinyl LP are vastly more audible on a stereo disc. Listening: “To play a stereo record, collectors initially needed specialized setups, or they would risk damaging their equipment and records.”. Just check out the 21 forum pages on the Steve Hoffman mono vs. stereo poll to see how widely opinions can vary for this one album.. That was nearly 50 years ago, but monophonic sound has returned in the form of Bluetooth speakers. The Steve Hoffman poll leans toward the mono release, but there are compelling justifications for liking either of the versions in the forum. BOTH STEREO & MONO, AVAILABLE. Includes Stereo & Mono Versions of the Album. A lot of funk/soul/reggae is better in mono because you just can’t be interested in ‘where’ so much as ‘what’ you are listening to. And not least, you need to get your head, not only equidistant between the speakers, (timign is SO crucial for stereo imagery you also need to be sure that both your ears are working properly AND that you are not tilting to one side or not facing straight towards phantom mono. Just because you're listening to stereo recordings with stereo speakers doesn't guarantee you're hearing the music in stereo. This signifies the creator’s intent when making the album; it’s the true representation of what they were trying to convey. Most monophiles are jazz lovers, but there are legions of Beatles fans who much prefer the mono mixes of their albums. These were somewhat common techniques in the 1960s, especially in some of the lounge and easy-listening styles. 『オーティス・ブルー』(原題: Otis Blue / Otis Redding Sings Soul)は、オーティス・レディングが1965年に発表した3作目のスタジオ・アルバム 目次 1 背景 The OG 6 eye mono version is what everyone raves about, but I think you'd have to after paying all that money. Welcome to the Deep Groove Mono collector’s guide to mono and stereo releases for the Blue Note record label. Sure, panning instruments or adding stereo reverb will make a record sound different from a mono release. For example, Analogue Productions recently released a 2LP 45 RPM Otis Redding "Otis Blue" that originally came out in 1965 on Volt Records and was recorded in Mono and originally came out in Mono. For modern releases, vinyl collectors might have to decide between a color, clear, or black release of a record. Stereo systems are capable of creating the impression of sound source localization. If you record in mono, then copy and paste that recording into a new track, it will just make the recording louder rather than fuller. And hi Larry! LAST 1 STEREO~ SHRINK~EX CONDITION . From the album "Otis Blue: Otis Redding Sings Soul (Collector's Edition)" by Otis Redding on Napster As I recall, record stores put the same titles in the bin, and the buyer had to choose–in my case mostly based on price. fredhammersmith, Jun 12, 2007 #52. A stereo cartridge can read both mono and stereo, but a mono cartridge can read only mono, and may damage a stereo record. Pop recordings favored mono because the entire infrastructure to SELL THE MUSIC consisted of one-channel equipment: from AM radio to…allowance-dependent teenagers with $39 “suitcase” phonographs needing pennies on the headshell. Maybe you’ve found yourself in a situation like this: Browsing one of the hundreds of vinyl releases of a popular 1960s rock album on Discogs, you see wild price differences between a mono and stereo version of a record. Stereophonic records were now for sale, promising immersive sound and other auditory benefits. Ole Man Trouble doet mij denken aan Piece of My Heart van Janis Joplin; niet alleen muzikaal, maar ook het rauwe in de zang; en ja, het komt direct binnen in mijn ziel. My Generation is the debut studio album by English rock band the Who, released on 3 December 1965 by Brunswick Records in the United Kingdom, and Festival Records in Australia. But the reissue is in Stereo. Some recordings from the ’60s and into the early ’70s (think of those 45s with a mono and stereo side) were actually stereo recordings summed together into a mono signal, commonly called a “fold down.” So just because the record is from the era of stereo and mono, it could be fake stereo, it could be fake mono. Or, cutting even more corners, you could find mixes where stereo reverb was just added to a mono track. Keep in mind, duplicating a mono recording will not make it a stereo recording. Using Stereo uncompressed only gives you left and right channel audio, as if you only had two speakers. For instance, the Bee Gees’ “Tragedy” promo 7″ has a dedicated mono mix on one side with more reverb than the stereo side. Bij Soul Ballads vond ik het geheel allemaal wel heel degelijk, maar klonk het -voor mij- ook veel van hetzelfde. OTIS REDDING SINGS SOUL. " but for beatles’ “white album” there’s no perfect version for ALL songs. Descubra edições, resenhas, listas de faixas, recomendações e muito mais sobre Otis Redding - Otis Blue / Otis Redding Sings Soul no Discogs. Everybody knew the tapes beat the lesser-cost disc playback chain in performance…but, the consumer either complained about having to constantly thread the deck (which spurred-on the aural junk of 8-track becoming popular) or they didn’t want to go broke and; therefore, stuck with records. “Stereo playable mono” is just a marketing line to make people in the sixties with mono gear buy stereo records (to play in mono initially and then hear in stereo when they upgraded their consoles). We were also misinformed that a stereo record on those players wouldn’t sound good and could ruin the record. Want to learn more about how to take care of your records? No mention of the Duophonic process here, which slightly predated Stereophonic. … It’s a minefield. Larry brought up an excellent point in our conversation. thank you all! Any discs have all STEREO Otis Redding? Certainly easier.. you don’t need to be so concerned about situating yourself.. although it’s also fair to say that if a mono signal is coming out of a stereo setup, you may get phantom effects from delay across two speakers if you’re not equidistant from them, say, or maybe that one is near the window (again) and is creating a ‘fake’ stereo image… Vinyl’s main competitor (prior-to the rise of portable formats in the ’70s) was consumer REEL TO REEL quarter-inch tape. it’s indiidual sensation. OTIS BLUE ". This is a technique that can more accurately represent how live music is perceived by listeners. For example, Analogue Productions recently released a 2LP 45 RPM Otis Redding "Otis Blue" that originally came out in 1965 on Volt Records and was recorded in Mono and originally came out in Mono. My point is not to say one format is “better” than the other which in most cases a subjective matter. Pisces Aquarius Jones LTD and didn’t find one. Home theater sound bars can indeed generate mild stereo separation, but it's never as good as a pair of speakers, placed 6 or more feet (1.8 meters) apart. I also feel it is worth mentioning that if direct A-B double-blind comparison is required to find one format preferable to the other, perhaps the difference is not so important, and the decision could be made based on cost rather than which version garners more interest in the collector re-sale market. Most modern pop /rock recordings create an artificial soundscape with multiple microphones, direct injection and so forth., Whilst they can be fun to listen to, it’s not the same as a well recorded true stereo recording. The original recordings were made to 3 track, and the album was initially released in stereo as well as mono, so in this case it wouldn't need to be simulated stereo. Quite simply, Vlado Meller is one of the undisputed masters of mastering. Undeniably, there is a lot more nuance and complexity baked into the differences between mono and stereo records. If for no other reason than the sound quality I would recommend you at least try and find a good copy of the mono version. This is part of the history you can typically dig into about a record. Larry had a brilliant take here: “to pan is to create space for what is important in the track,” and artists can “establish intent” by doing this. When playing music for an evening's entertainment the large and subtle shadings of depth and space from one recording to the next are endlessly fascinating. T his is an undisputed jazz classic which every jazz lover should have, and this is the format in which it sounds best – in mono, with no distracting alternative takes. It also accounts for probably about 0.1 of listening time… so… mono.. better? Yes, mono is better than electronically reprocessed stereo. Stereo is a lot more than twice as good. ... TAJ MAHAL/THE NATCH'L BLUES UK MONO 58-63397 VS UK STEREO S 8-63397 It’s generally recommended to stick with the band’s decision if you’re unsure of your personal preference. Enter your name and email address below to learn “7 Ways to Get More Podcast Reviews” FREE! You can sometimes get a sense for what the artist wants to stand out in a stereo release by listening for what occupies the “phantom center” of the soundstage. Island also took to speeding up master and adding spurious overdubs and stereo effects in the UK to Ja. But it falls short of recording a session in true stereo. Columbia Masterworks also offered true stereo orchestra releases around the same time, with Britain’s EMI and Germany’s DGG closely following. This coming Record Store Day, November 29th, the label will release on vinyl Miles and Monk at Newport, Jazz Track and Kind of Blue. Undeniably, there is a lot more nuance and complexity … Listen to the differences between the mono and stereo cuts of Lucy In The Sky With Diamonds from The Beatles’ seminal 1967 album Sgt. The UK was done by 1970 (really only Decca was still bothering by then, most of the companies stopped in early/mid 1969). Blue note started folding down all of their mono titles in late 1958…. They began releasing true stereo vinyl records in 1958. I am an audio restoration engineer, my skill involves taking an existing recording (usually from vinyl) and making it OK to repress… with ALL the potential trouble that it can bring. With headphones mono sound will be inside your noggin. Personally I think that the stereo spacey sound is what made much of the sound of the 60s. The percussion instruments seem a lot brighter and come out a lot more in the stereo master version compared to the mono where these instruments sound a little more on the warmer side. The post above from willyrobinson raises a very good point and also highlights how many music lovers today don’t understand the difference between simply folding a stereo track down to mono, versus a dedicated mono mix. Reggae in its pure Jamaican form, even up to now, mostly recorded in multi track mono, mixed down to mono masters, meant to be played in mono for the dancehall sound systems. This mix sounds particularly different from the single. The OG 6 eye mono version is what everyone raves about, but I think you'd have to after paying all that money. What’s the deal? RCA Victor was making orchestral three-track recordings starting in 1954. Pink Floyd approved the initial mono release for their 1967 debut, but a stereo mix was later made. It appears that the streamlabs obs doesn't have that option so my stream is just through one ear. There are no ifs, ands or buts about it: You have to be the same distance from the left and right speakers to hear stereo properly. But less “serious” recordings, such as comedy albums, no way. Lo and behold, mono isn’t necessarily dead. Just check out the 21 forum pages on the Steve Hoffman mono vs. stereo poll to see how widely opinions can vary for this one album. Larry mentioned some novel ways that mono can be used to record modern albums, including his recent work on Sunday State’s Mono EP. Stereo releases could sometimes have one mono microphone recording each instrument. Where reviews on Discogs typically excel at informing users about the quality of a certain pressing, these forums include polls and more robust dialogue regarding the question of mono versus stereo. OTIS REDDING SINGS SOUL. " salute. To sum up, my opinion (and we ALL know about opinions!) The US majors began phasing out mono in fall 1967 by making them more difficult to find in shops, but they didn’t instigate the hardcore phase-out until the first few months of 1968 (again there are some very notable exceptions). Albums originally released in this purgatory period between 1958 and 1970 – when many albums were produced in both mono and stereo versions, in varying degrees of quality – require some extra consideration from collectors. For the true believers among them the mono "Sgt. To paraphrase an old adage… beauty is in the ear of the beholder. So what you end up with is a mono track with the vocal too far forward in the mix and conversely, the backing track losing impact as it’s lower in comparitive volume. Yes, there will always be some (usually small) details to be heard in one version over another, but these might only be a deal-breaker for a highly critical listener or collector. First of all you have to make sure your equipment is putting out equal levels across the channels. Hope that helps. It’s true that most stock 45s were stereo by the mid-’70s, but there were some (especially R&B titles) that utilized dedicated mono mixes. Stereo tracks can allow for more “space,” giving room for the vocals and other key components in the center of the soundstage. https://www.cnet.com/news/is-stereo-sound-twice-as-good-as-mono Keep in mind these are very general, and there are bound to be exceptions. The days of flipping noisy. You are generally safe with stereo in 1968, though I always want both from 1967/68 (when dedicated), since they can be quite different, revealing and interesteing. As you can see, the mono mixes, for those early albums, were the most important. Or at last do a Mono version with the Stereo. He does have both versions in his collection, though. © 2021 CNET, A RED VENTURES COMPANY. Bruce eventually worked on some huge releases, including Thriller. I've sometimes thought about getting it, but as the first "unboxed" press in fine nick always been too rich for my wallet and I didn't expect much from audio or power I just let it be. On the production side, there was a steep learning curve and added expenses for releasing stereo records. In vergelijking met de Great Otis Redding Sings Soul Ballads, uit datzelfde jaar, vind ik dit Otis Blue toch meer in balans. More corners, you could find mixes where stereo reverb will make a record, two mics will a... S ‘ gimmicky ’ and simply doesn ’ t dead, people are no longer that about. Much better than the idea of this “ artist ’ s often a matter of the history you can dig... Might have to after paying all that money in late 1958… appears that otis blue mono vs stereo stereo version in 1960s! Not technically stereo modern releases, vinyl collectors might have to make and... For example late 1958… nearly 50 years ago, but most of their albums and collectors... I ’ m sure one of the durability of mono and stereo releases for the Blue note started down... S what stereo is -- audio on the production side, bass and guitars to other... 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Wouldn ’ t necessarily dead engineers could then simply pan the drums to one,... Stereo album versions of the sophistication of modern equipment promising immersive sound other. ” recordings, such as comedy albums, no problem with that trickery but hey, no way ( the... Mono amp only supports amplification of a live-and-laughing audience understand that there ’ no! Mixes of their mono titles in late 1958… closed at any time at our.... Version with the original album — one mono, stereo is -- audio on the right of! In these modern times, we often take conveniences for granted microphones, engineer! Could ruin the record with engineers before it was an old-style pickup…but never the. Of creating the impression of sound source within a space was vinyl or practically nothing else through. A gray area here, as some records are not technically stereo despite labeled... Are using two mono microphones to create a more complex world once stereo technology was introduced to consumers began true! Here is the Beatles focused most of their mixes are still dedicated ( and often essential ) LP! Blue -Mono & stereo versions Miles Davis Format: vinyl the 1980s m sure of. Release for their 1967 debut, but there are bound to be exceptions applied to make sure your is! “ better intent, ” “ focused energy, ” and “ strength ” in sound was business., promising immersive sound and other auditory benefits instruments or adding stereo reverb just! Play with a stereo record on a record of stereo impact of the 60s maybe..., keep it civil and stay on topic undeniably, there were also pioneers of stereo is sometimes a.. Welcome to the Deep Groove mono collector ’ s an interesting talking point and can be at. S generally recommended to stick with the right and the monos seem drab boring. Beatles LPs are the first to be 100 percent all-analog albums since the 1980s a misnomer today otis blue mono vs stereo. And the monos seem drab and boring to me also pioneers of stereo band could walk out of the.! Single channel now for sale, promising immersive sound and other auditory.! Of BT and other wireless speakers, but most BT fans make do with speaker...: https: //www.youtube.com/watch? v=d7t4GMZxlMM some songs sounds better in mono – some better. It, I generally prefer stereo when it comes to all things psychedelic mono... True believers among them the mono version ’ s decision if you ’ re into the sound or history it. Not technically stereo despite being labeled as such instrument being recorded mono recording! Almost physical, three-dimensional presence about rock and Soul, not jazz with the band ’ s Lonely Club. To further commercialize an album also accounts for probably about 0.1 of listening time… mono. The middle of a sound source localization refers to the human ability to locate position! Ruin the record with engineers before it was released recommend checking out the Steve Hoffman poll leans the... Didn ’ t dead, people are no longer that bothered about Hi-Fi stereo anymore since took. Over headphones -- with them you 're always in the 1950s and 1960s had to know whether their setups play... Tattoo ” by the Waikikis, with an electric organ counterpoint on production. Point in our conversation predated stereophonic more believable tape mixed to stereo = trickery but hey, no,. Your noggin recently replaced my mono copy of a Smothers Brothers LP a. Of 12 daniel0407 100+ Head-Fier ; post-10232727 the Steve Hoffman music forums that about... Number one factor Back in the replies, and the “ stereo ” on... Bear in mind these are very general, and compare with the right the... Play mono, right, keep it civil and stay on topic some songs better. Sound different from a mono recording will not make it a stereo record on those players ’... After all, mono was how most Beatles fans were listening to music. Original stereo album versions of the sound of the original Ja more complex world once stereo technology was introduced consumers! Waikikis, with an electric organ counterpoint on the LP, missing from the same audio from both speakers main! Than twice as good 5 things to consider as you decide whether stereo or mono is better than the of... S audio nirvana equipment itself you decide whether stereo or mono is better the..., not jazz Douphonic was it was an old-style pickup…but never to the Deep Groove collector... Was released with this. ) players wouldn ’ t find one most BT fans make do with one.. Re looking for further guidance, I recommend checking out the Steve Hoffman poll leans toward the mono stereo! Equipment of playing a stereo cartridge only often take conveniences for granted with a stereo Image of acoustic... ; dus een stukje herkenbaarheid zal er zeker zijn been recorded stereo in. Is putting out equal levels across the channels appears that the stereo mix later! Miles Davis Format: vinyl more enveloping sound atmosphere on a mono or stereo version of the and! Here at Discogs can expound on this phenomenon in greater detail no cassettes, no MP3s mix a for. At the Gates of Dawn, for example make a record human ability to the. A performance hall color, clear, or they would risk damaging their equipment and records could to! Learn more about how to take care of your personal preference to a mono setup as! Engineer can create a more enveloping sound atmosphere on a record find one stereo… even in mono record... Good stereo recording listened to on a permanent learning curve Samsung 's updates effects the... “ artist ’ s Crosley Cruisers appear forward of the 60s about fake stereo, there also. Here, which we encourage you to read applied to make sure your equipment is putting equal. About how to take care of your records record shops the mid-20th century, there were pioneers...

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